Culture avec Catherine Richer : L'exposition immersive Imagine Monet (audio)

ICI PREMIÈRE, with Karyne Lefebvre
Dec 14, 2021

« Alors, qu’est-ce que cette exposition immersive ? D’abord, si vous êtes déjà allés voir Imagine Van Gogh ou Imagine Picasso, vous êtes familier un peu avec la chose. L’idée c’est une immersion totale donc sur d’immenses écrans nous permettant de vivre et de découvrir l’œuvre de Monet, cette fois-ci de façon totalement différente. – Catherine Richer »

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Culture avec Myriam Fehmiu : La 5e Biennale des arts numériques (audio)

ICI PREMIÈRE, with Joël Le Bigot
Nov 27, 2021

« Exposition d’art numérique et immersif, ça se passe à l’Arsenal. C’est la 5e Biennale des arts numériques. On passe des canevas aux écrans, des pigments aux pixels, et ça nous permet de découvrir les artistes d’aujourd’hui qui ne font pas que nous mettre passif devant leurs œuvres. Mais, c’est vraiment une immersion. – Myriam Fehmiu »

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Calgary-born artist Corri-Lynn Tetz explores femininity, female form in new exhibit

Calgary Herald, by Eric Volmers
Nov 11, 2021

“A few years back, artist Corri-Lynn Tetz’s brother gave her an unusual gift. It was a bag full of men’s magazines — including Penthouses and Playboys — that had been discarded at a Salvation Army drop bin.Presumably, Tetz’s brother knew what he was doing. His sister’s work had long been informed by the female form and she had often sought out old pictures of hippie or nudist colonies as starting points for her art. So this bag of old men’s mags was a goldmine”.

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Contemporary Calgary Presents Three Solo Exhibitions by Canadian Artists Simone Elizabeth Saunders, Corri-Lynn Tetz and Maya Beaudry

Globe Newswire, by Contemporary Calgary
Nov 10, 2021

“Corri-Lynn Tetz works as a painter, focusing on the female figure as a way to explore identity, sensation and desire. Borrowing from personal archives, fashion photography, film and pornography, she is interested in the ways images and meaning are transformed through painting and how this process disrupts notions of the gaze to re-imagine pictorial space”.

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An Artist’s Profile: Miles Greenberg

Art Toronto, by Josh Heuman
Oct 29, 2021

“Mostly self-taught Miles Greenberg, -- Montreal-born and Paris/New York-based -- pursued artistic/research residencies in lieu of formal education, including most notably École Jacques Lecoq (Paris), Red Gate Gallery (Beijing), with acclaimed director Robert Wilson and was a mentee of renowned performance artist Marina Abramović. In this video, Greenberg discusses his live installation, Late October, which was inhabited by seven performers, including himself, for seven consecutive hours at Galleria Continua Les Moulins, outside of Paris, in October 2020. He also presents the prints, sculptures, and video installation at Arsenal Contemporary (Toronto) during Fall 2021.”

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Performance artist Miles Greenberg explores the creative capacity of the body

Document, by Camille Sojit Pejcha
Oct 12, 2021

“Miles Greenberg is no stranger to extremes. A protégé of Marina Abromovic, the 23-year-old Québécois artist is known for staging captivating durational performances that utilize profound physical and psychological endurance as a means to achieve transcendent mental states.”

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L'exposition Late October de Miles Greenberg à l'Arsenal Toronto

Radio Canada, by Isabelle Ménard
Oct 2, 2021

“L’attraction principale de l’installation torontoise est composée de trois sculptures réalisées à l’aide d’une imprimante 3D, respectivement nommées Icare, Narcisse et Orphée, trois personnages mythologiques grecques qui ont tous connu un destin tragique, suite à des erreurs humaines.”

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