CBC Arts, by Lise Hosein
Feb 7, 2019
At Migrations, the new exhibition by English sculptor Mat Chivers, there's a huge piece that dominates the space. It looks sort of like a lumpy figure sitting slouched on the ground.
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At Migrations, the new exhibition by English sculptor Mat Chivers, there's a huge piece that dominates the space. It looks sort of like a lumpy figure sitting slouched on the ground.
Read MoreEn 2018, le Musée d’art de Joliette invitait le sculpteur anglais Mat Chivers en résidence de production au Québec, afin qu’il crée un nouveau corpus d’œuvres en dialogue avec le milieu de l’intelligence artificielle, en pleine ébullition à Montréal
Read MoreMolding and firing clay is among the oldest recorded human activities. In the Ancient Near East, clay was imprinted with tiny lines to keep records of grain and other goods. The Greeks made clay vessels for eating and drinking and for honoring the dead, the surfaces covered in intricate geometric designs and abstracted figures.
Read MoreArsenal Toronto is proud to present Enchantment, the first international solo exhibition by Greg Ito presenting paintings, sculpture, and installation that explores the state of lucid dreaming where daily life collapses into fantasy, nightmare, hope, failure, and the unforseen future.
Read MoreJennifer Alleyn est de ces cinéastes qui tournent trop peu. Pour toutes sortes de raisons, financières surtout, on ne se le cachera pas. Beaucoup d’appelés, peu d’élus, et encore moins d’éluEs.
Read MoreDuring the inaugural Antarctic Biennale in 2017, held aboard research vessels surrounded by icy desolation, the artist Juliana Cerqueira Leite met the architect Barbara Imhof while working on shee (Self-Deploying Habitat for Extreme Environments), inflatable housing for inhospitable terrain.
Read MoreDécoulant d'un chagrin d'amour durement vécu par Jennifer Alleyn, Impetus est une oeuvre à la fois humaniste, poétique et expérimentale sur la quête du bonheur.
Read MoreOver an extensive career, Nicola L journeyed from Morocco, where she was born, to Paris, the city where she first encountered Nouveau Réalisme to great influence, to New York, where she took roost in the Chelsea Hotel, and Ibiza, whose sun-kissed coast inspired the artist’s longstanding concern for the skin’s warm envelopment.
Read MoreThe suggestively placed knobs and shiny surfaces of feminist artist Nicola L’s functional sculptures tempt the viewer to stroke, poke, pull and touch. A commode, coffee table, bookshelf and two “sofas” playing dress-up as furniture invite sublimation and use while mocking the impulse to realize an absurd desire.
Read MoreJulie Favreau is known for mixing mediums to create immersive environments that heighten the viewers’ attention to touch.
Read MoreArtist Nicola L., best known for her anthropomorphic, functional sculptures, died on December 31, 2018, at age 81. From a white, foot-shaped sofa to a curvy yellow cabinet with a round face and suggestive, nipplesque drawer pulls, L.’s artwork cheekily merged principles of art, design, and furniture.
Read MoreConceptual French artist Nicola L., whose feminist work has been experiencing newfound recognition in recent years, died on Monday in Los Angeles at the age of 81. Her shape-shifting art, which spans sculpture, painting, performance, and furniture, often explored the human (and mostly the female) body.
Read More"It would be perfect for jewelry," says a gallery visitor at New York's Arsenal Contemporary to the woman next to him, tugging open the nipple drawer of Nicola L.'s La Femme Commode and contemplating its obvious use: storage.
Read MoreNicola L was making art around the same time as other household pop art names like Andy Warhol. But while Warhol has a huge exhibition at the Whitney right now (with a sick gift shop), Nicola L. didn't get her first major retrospective until last year.
Read MoreArsenal Contemporary is pleased to present the Brazilian, Brooklyn-based artist, Juliana Cerqueira Leite’s first solo presentation in New York, Until Different. The exhibition opens 13 September and runs through 4 November, 2018.
Juliana Cerqueira Leite reformulates physical presences and absences in the world and body, negating the mere reassertion of subjects and their environments through acts of pivotal transformation.
There was a “Saturday Night Live” sketch not too long ago in which Kate McKinnon pretended to be Brigitte Bardot responding to the #MeToo movement. “Why does woman have breast? It’s for a man to grab and pull!” she said, taking a drag on her prop cigarette. “A drawer has a knob. A woman has two knobs!”.
Read MoreResting somewhere between dream and reality, Vanessa Brown’s sculptures test the boundaries of the familiar. What we normally encounter on a small scale, like a pair of earrings or a cigarette, take on impossibly strange proportions in her metal and glass works.
Read MoreBreasts stacked like frog’s eggs; the imprint of the artist’s arm or legs in motion as it progressively deconstructs the very sculpture representing it; plaster that captures the memory of her body leaning on or sitting in the confines of a space exploration habitat—these are the discoveries that await you in the uncanny world of Brazilian artist Juliana Cerqueira Leite.
Read MoreIn her new sculpture series, inspired by Mesoamerican funerary urns, Brazilian artist Juliana Cerqueira Leite has cast her own body in clay to make life-size vases with vaguely unsettling organic qualities.
Read MoreIt’s your last chance to catch this summer group show, featuring Abbas Akhavan, Maskull Lasserre, Ana Mendieta, and more. The theme is folkloric rituals associated with witchcraft.
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