La BIAN Montréal 2018

Art in the Digital Age, by Dominique Moulon pour Art Press
Jul 18, 2018

Créée en 2012 par Alain Thibault, la Biennale Internationale d’Art Numérique (BIAN) s’inscrit dans la continuité du festival Elektra initié en 1999. Elle s’articule autour de divers lieux incluant la Société des Arts Technologiques (SAT) et l’Arsenal Art Contemporain.

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Echoes of the Ocean: Maskull Lasserre at the Vancouver Biennale

By Anna Kovler
Jun, 2018

Standing on the western edge of the North American continent, by the boats docked at a Vancouver Marina, Maskull Lasserre’s enormous steel sculpture takes a shape that most viewers might hardly recognize. This monumental single-horn anvil, 25 feet long, and about 800 times larger than a normal anvil is perplexing and mysterious.

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Wanda Koop: A Lifetime Of Learning

Eyes Towards the Dove, by Katy Diamond Hamer
Jun 2, 2018

Artist Wanda Koop paints in a very lyrical way. She let’s the paint dictate the painting, not completely dissimilar from The Composition Series  by Kandinsky. Using acrylic in a watered-down format, Koop has been making work for forty years. In that time, she has inherently studied the medium, how it responds to various surfaces, and how to work in a way that is freeing and uninhibited. 

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The Colorful Activism of Wanda Koop

Office Magazine, by Evan Nicole Brown
May 21, 2018

Walking through the space, an intimate and cool respite from the busyness of Bowery just outside, I couldn’t help but think about the impact of color, both in painting and in cultural conversations. Koop, a Winnipeg, Canada native, explains her relationship to cultural color early on: as a young girl, her family lived in close proximity to the Indigenous peoples of Winnipeg, and embraced one Native woman in particular as family.

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Robin Meier and Kim Dorland at Arsenal Contemporary

Whitewall, by Pearl Fontaine
Apr 3, 2018

Arsenal Contemporary in New York is currently presenting a two part exhibitions of Robin Meier’s “Synchronicity” and Kim Dorland‘s “Same Old Future.” Curated by Marc-Olivier Wahler and Jean-Michel Othoniel, it is presented in collaboration with the Eli and Edythe Broad Art Museum at Michigan State University.

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